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Measures: 20 - 35
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Unique Accidentals: > 4
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Baroque
Fugue I in C major, BWV 846 - Well Tempered Clavier [First Book]
Johann Sebastian Bach
1:48 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 1 6 8 95%
Bass 24 0 8 7 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 1 6 8 95%
Bass 24 0 8 7 86%
 
Fugue
Marc Sabatella
1:19 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 0 8 5 93%
Bass 25 0 7 6 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 0 8 5 93%
Bass 25 0 7 6 80%
 
Chorale Prelude: Komm, Gott, Schöpfer, heiliger Geist BWV 667 by J S Bach
ChurchOrganist
2:25 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 7 6 95%
Bass 27 0 8 7 97%
Bass 13 0 1 6 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 2 7 6 95%
Bass 27 0 8 7 97%
Bass 13 0 1 6 93%
 
J. S. Bach - Fugue in C Major | BWV 846 | WTC 1
leonkopecny11
1:51 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flügel Treble 23 1 6 7 92%
Bass 24 0 8 7 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flügel Treble 23 1 6 7 92%
Bass 24 0 8 7 88%
 
Elisabeth Jacquet de la Guerre Sarabande
pental
1:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 5 6 96%
Bass 20 3 5 6 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 5 6 96%
Bass 20 3 5 6 98%
 
Prelude in C minor by J.S. Bach (BWV 549) for brass quintet
Nednedflanders
2:04 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 20 0 5 7 100%
B♭
Trumpet		 Treble 15 0 7 8 72%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 20 0 5 7 100%
B♭
Trumpet		 Treble 15 0 7 8 72%
Treble 14 0 5 7 72%
Trombone Bass 15 0 5 6 62%
Horn
in
F		 Treble 14 0 4 8 52%
 
Prelude
Hdawg44
0:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 3 5 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 3 5 7 100%
 
Sinfonia
Marc Sabatella
0:01 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 0 12 6 100%
Bass 19 0 5 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 0 12 6 100%
Bass 19 0 5 5 100%
 
Elisabeth Jacquet de la Guerre Allemande
pental
2:07 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 7 7 6 98%
Bass 28 2 8 8 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 7 7 6 98%
Bass 28 2 8 8 79%
 
Händel: Sonata 10, Op. I, HWV 368 Andante
hillaby
2:06 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 10 100%
Classical
Guitar		 Treble 27 50 11 6 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 10 100%
Classical
Guitar		 Treble 27 50 11 6 90%
 
Rule Britannia by Thomas Augustine Arne
ChurchOrganist
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 14 0 4 4 100%
Bassoon Bass 18 0 5 4 92%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 14 0 4 4 100%
Bassoon Bass 18 0 5 4 92%
Violins
1		 Treble 16 0 5 7 79%
Violins
2		 Treble 16 0 6 5 75%
Timpani Bass 2 0 0 6 71%
Trumpets
1
amp;
2		 Treble 11 0 1 7 69%
Oboe
1 Oboe
2		 Treble 11 0 4 7 48%
Treble 11 0 4 6 58%
Violas 11 0 3 5 58%
Alfred Treble 10 0 3 7 52%
Alto Treble 6 0 1 7 20%
Bass Bass 6 0 2 7 20%
Soprano Treble 7 0 2 6 20%
Tenor Treble 5 0 1 7 20%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%